Jorge Sosa
Composer
About Jorge

Summary

·     Doctorate in composition at the prestigious UMKC conservatory.

·     Compositions range from electronic media to opera to chamber music, with numerous international performances.

·     Composer and theorist with more than 7 years of teaching experience.

Professional Studies 

2008                Received Doctorate of Musical Arts in Composition at the UMKC Conservatory

2005                 Received the Masters of Music in Composition from Mannes College of Music

2005                 Received Licentiate diploma in Composition from the Centro de Investigacion y Estudios Musicales (C.I.E.M.) in Mexico City

2002                 Received the A.B.R.S.M performance diploma in piano

2001                 Obtained the Associated Board of the Royal Schools of Music (A.B.R.S.M) grade 8 diploma in piano performance

2000                 Received the Licentiate in Compositional Techniques Diploma awarded by the Trinity College, London

2000                 Received the Associated Musician Trinity College London diploma

1995                 Started professional studies at the C.I.E.M.

Awards and Competitions

2007                 Honorable Mention, Minnesota Orchestra Composer Institute for “Fronteras,” orchestral piece

2007                 Winner, Tonoi Ensemble Composition Competition for “Oak, Ivory and Silver,” for flute, cello and piano

2006                 Winner, Chanticleer Student Composer’s Competition for “The Fly,” for SATB choir

2006                 Winner, Chamber Music Composition Competition at UMKC with “Ivory, Silver and Gold” for flute, cello and piano

2006                 Selected for Washington Composer’s Forum Transport Series, “Capricho for Solo Violin,” performed by violinist Karen Bentley Pollick

2006                 Selected to be read by the UMKC Orchestra, “Metaforas sobre la Relatividad,” for orchestra

2005                 Selected for the 2005 Festival Foro Internacional de Musica Nueva Manuel Enriquez, Cajon” for guitar trio

2004                 Awarded, “Best Theatre Play for a Theatre Group” by the Mexican Association of Theatre Press, original music for “Lear”

2004                 Selected for the Mannes College of Music Orchestral Readings for Student Composers program, “Prelude to the Cross” for orchestra

2004                 Selected for workshop with the Mannes Contemporary Music EnsemblePossession,” conducted by Keith Fitch and Composer in Residence Bruce Adolphe

Scholarships and Grants

2005-2008         Awarded, UMKC Chancellor’s Scholarship for doctoral studies

2005-2008         Awarded, UMKC Conservatory Scholarship for doctoral studies

2004                 Awarded, Peter Gross Foundation Grant for production of the 2004 Ibero-American Music Festival

2003-2006         Awarded Academic Excellence Scholarship by the Secretaria de Educacion Publica, (Department of Public Education) Mexico

Professional Experience

2007-2008         Graduate Teacher Assistant, Audio Recording Studio at University of Missouri at Kansas City

2007                 Graduate Teacher Assistant in composition for Dr. Chen Yi and James Mobberley, University of Missouri at Kansas City

2006                 Graduate Teacher Assistant for Dr. Chen Yi and Dr. Reginald Simpson, University of Missouri at Kansas City

2007-2008         Treasurer, UMKC Composers Guild

2005-2006         Graduate Teaching Assistant, Musica Nova Contemporary Music Ensemble

2005-2007         Teacher in composition and music fundamentals, Composers in the Schools Program Fellow (CITS), High School and Junior High School students from the Kansas City Area

2000-2001         Teacher, Escuela de Musica de Todos los Tiempos, Training teachers in piano, keyboard harmony, analysis and music pedagogy

1998-2002         Faculty position, Centro de Investigacion y Estudios de la Musica (CIEM), teaching piano, keyboard harmony, and analysis; ensemble coaching in the college division and piano and ear training in the children’s division.

1996-1997         Research assistant, Asociacion Mexicana Para la Educacion Internacional (AMPEI), for the Socio-Economic and Cultural Study prior to creation of the Technological University of the Huasteca Hidalguense (UTHH), Huejutla de Reyes Hidalgo, Mexico.

Compositions

Orchestral and Large Ensemble Works

2006                 Rumba for Wind Ensemble, read by the UMKC Wind Ensemble, 2006.

2006                 Fronteras (Borders) for orchestra. Premiered on April 2007 by the Medical Arts Symphony, KU Medical Center, Kansas City, MO

2005                 Metaforas Sobre la Relatividad for orchestra. Commissioned and premiered by the Symphony Orchestra of the IPN in Mexico City, 2005. Read by the UMKC Orchestra, 2006.

2004                 Concerto for Violin and String Orchestra Premiered at Tishman Auditorium, New York City at the Clash! Concert, April 24, 2004. Mexican premiere held the summer, 2004 at Alejo Peralta Auditorium of the Instituto Politecnico Nacional, in Mexico City and Catedral de la Asuncion in Tlaxcala, Mexico, Orquesta Sinfonica del IPN

2001-rev. 2004   Prelude to the Cross  for orchestra, read on the 18th March, 2004 by the Mannes Orchestra

2004                 Musica de Feria for full orchestra, orchestral arrangement of Silvestre Revueltass String Quartet

Electronic Media

2008                Reflections (dissertation), a collection of pieces for solo instruments and fixed electronic media

2007                 Juego de Pelota (Ball Game) for fixed electronic media. Premiere scheduled for December 7, 2007, Kansas City, MO

2007                 The Calling, one act electro-acoustic opera for solo soprano and tape. Premiered at the Kansas City Art Institute, September 11 2007. Mexican premiere, October 31, 2007, Centro Cultural España, Mexico City. Radio broadcast on November 10, 2007 IMER

2006                 Take the 6 Train for fixed electronic media

Opera

2007                 The Calling, one act electro-acoustic opera for solo soprano and tape. Premiered at the Kansas City Art Institute, September 11 2007. Mexican premiere, October 31, 2007, Centro Cultural España, Mexico City. Radio broadcast on November 10, 2007, IMER. Live broadcast scheduled on December 11, 2007, Radio UNAM, Mexico

2006                 Tonatzin, liturgical drama for soprano, mezzo, tenor, bass, choir, and piano, awaiting premiere

2004                 Loveless, chamber operetta for mezzo-soprano, tenor, baritone, actor, alto saxophone, trumpet, percussion, piano and strings, duration 1 hour. Premiered April, 2005, at Wollman Hall, New School University, NY 

Vocal and Choral Pieces

2007                 Inexorable for tenor, clarinet and piano. Premiere scheduled for December 3, 2007, White Hall, UMKC

2006                 To Sleep for tenor, alto saxophone and piano. Premiere scheduled for May 2007

2006                 Silence, for mezzo-soprano and piano, premiered at White Hall, UMKC, winter, 2006

2006                 The Fly for SATB Choir or Chamber Choir, words by William Blake. Winner of Chanticleer Student Composer’s Competition 2006. Premiered scheduled for 2008 in San Francisco.

2005                 Romance de la Luna for soprano and piano; also arranged for soprano and four-hand marimba. Premiered in 2005, Mannes College of Music. European premiere by Percusiones de Barcelona, at the Palau de la Musica in Barcelona, summer, 2005. Also performed at UMKC Composer’s Guild Concert.

2004                 El que se inventa solo for soprano and percussion, premiered spring 2005 Mannes College of Music.

Solo Works

2007                 Punto for solo flute. Premiered on November 4, 2007, Kansas City, MO

2006                 Wedding Processional, for solo violin. Premiered at White Hall, UMKC, spring, 2007. New York premiere, Chelsea Art Museum, May, 2007

2006                 Bounce for alto saxophone. Premiered at Steinway Pianos, NY, 2006. Also performed at Carnegie Hall’s Weill Recital Hall on May, 2007

2003                 Capricho para violin solo written for Humberto Lopez. Premiered on April 15, 2003, Manhattan School of Music. European premiere held on the 11th of January 2004 at the Hughes Gallery, Dublin by Gregory Harrington. Also performed at the Irish American Historical Society in NYC; Irish Cultural Arts Center in NYC; Clash! concert at Tishman Auditorium in NYC; Mannes College of Music; Mexican Premiere in the summer 2004 in the Alejo Peralta Auditorium of the Instituto Politecnico Nacional; Catedral de la Asuncion in Tlaxcala, Mexico. Selected for Washington Composer’s Forum Transport Series in Seattle, 2006, Karen Bently Pollick, violin.

2000-2002         Son-es for solo piano, premiere May 1, 2003, at “Sound Traveling at the Speed of Music”

Chamber Music

2007                 Pentatonic Fantasy for oboe and piano

2006                 Papaloapan for two guitars. Premiered on May 6, 2006, at the “Great Music Series,” Saint Bartholomew’s Church, New York

2005                 Oak Ivory and Silver for flute, cello and piano. Runner-up in the 2005-2006 UMKC Chamber Music Composition Competition. Premiered by Musica Nova 2006. Performed by the Tonoi Ensemble, October 14, 2007, Los Angeles, Cal.

2005                 Aquarius for alto saxophone, flute, piano, cello, violin, bass and drum set. Awaiting premiere.

2004                 Funeral March for saxophone quartet. Premiered spring, 2005, NY

2004                 Cajon for guitar trio, commissioned by the New York Guitar Society. Premiered May, 2004, performed at a master class with the Newman-Oltman, guitar duo on November 2004 at Mannes College of Music. Mexican premiere in spring, 2004.

2004                 Music for a King, Suite inspired by Shakespeare's King Lear for cello and piano, premiered on February 25th 2004 at Mannes College of Music Student Composers Concert. Mexican premiere summer, 2004 at the Gante Methodist Church in Mexico City

2003                 Possession sextet for flute, clarinet, piano, percussion, violin and cello. Premiered on April, 2004, at the New Music Mannes concert series, performed by the Mannes Contemporary Music Ensemble, Keith Fitch, Conductor. Selected for the workshop with composer Bruce Adolphe at Mannes College of Music.

2003                 3 Miniatures for trumpet. Quartet premiered on April 24, 2003 at the Ibero-American Music Festival at West Park Presbyterian Church. Also performed at Mannes College of Music.

2002                 Antiques flute and clarinet duet, premiered on February 25, 2002, at Mannes College of Music. Also performed at Ibero American Music Festival, 2003, and “Sound Traveling at the Speed of Music” recital at West Park Presbyterian Church, N.Y.

2000                 Desaire Quartet for low winds, submitted for the Trinity College London Licentiate Exam

1998                 Las Claves for flute and clarinet duet, premiered at La Capilla del Centro Cultural Helenico in Mexico City, 2000. New York premiere on December, 2002, at Mannes College of Music. Also performed at “Sound Traveling at the Speed of Music”

1997                 Tres Imgenes para Cuarteto de Cuerdas, for string quartet, premiered at La Capilla del Centro Cultural Helenico, Mexico City, 2000, by the Cuarteto Ruso-Americano

Theater Music

2004                 King Lear  for piano and cello, Free adaptation from Shakespears play by Rodrigo Johnson, Directed by Rodrigo Johnson; Vincent Carver, piano and musical direction; Natalia Perez Turner, cello. Teatro Santa Catarina, Mexico City

2002                 La Luna en Escorpion, music for violin, piano, bass and drums, written by Carmina Narro, directed by the author. Musical direction by Jorge Sosa, Teatro de la Paz Mexico City.

2001                 Cartas a Mama, music for violin, piano, cello and percussion, Radio Theater directed by Rodrigo Johnson, written by David Olguin. Radio UNAM, Mexico City.

2001                 El Bosque Desvirtuado, music for violin, piano, bass and drums, directed by Denisse Zuiga, written by Antonio Calderon. Teatro Rodolfo Usigli, Mexico City.

2000                 Mexican Beauty, music for solo piano, directed by Carmina Narro and written by Alejandro Cabaes. Teatro La Gruta del Centro Cultural Helenico, Mexico City.

1999                 Los Enredos de Satan, music for piano, flute and percussion, directed by Laura Vega, written by Cecilia Rascn. Ex-convento de Culhuacn, Mexico City.

1997                 La ultima y nos vamos, music for piano and percussion, directed by Rodrigo Johnson and written by Berthold Brecht. Teatro Juan Ruiz de Alarcon, Centro Cultural Universitario, Mexico City

 Production Experience

2007                 Co-Producer, Synaesthetic Spaces, electronic music and visual art.

2005                 Producer, "Loveless Scenes", three nights of drama and opera, New York

2002-2005         Co-producer, Artistic Director and Manager, Ibero-American Music Festival, annual concert series featuring artists and composers from Spain and the Americas, New York 

2004                 Co-Producer, "Clash", a night of concertos for soloists and string orchestra, New York

2003                 Co-producer, "Sound Traveling At The Speed of Music", a night of chamber music, New York

2001                 Artistic Director, "CAMARA", two nights of chamber music, Mexico City

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